Suzanne Valadon (1865–1938) was a French artists' model and painter who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France.
Suzanne Valadon was the first woman painter admitted to the Société National des Beaux-Arts. She was the mother of painter Maurice Utrillo. Valadon began painting full-time in 1896. She painted still lifes, portraits, flowers, and landscapes that are noted for their strong composition and vibrant colors. She was, however, best known for her candid female figure.
She exhibited in the Salon d'Automne from 1909, in the Salon des Independants from 1911, and in the Salon des Femmes Artistes Modernes during 1933-1938. In 1893, Valadon began a short-lived affair with composer Erik Satie, moving to a room next to his on the Rue Cortot.
Satie became obsessed with her, calling her his Biqui, writing impassioned notes about "her whole being, lovely eyes, gentle hands, and tiny feet". After six months she left, leaving him devastated.
Valadon married the stockbroker Paul Mousis in 1895. For 13 years, she lived with him in an apartment in Paris and in a house in the outlying region. In 1909, Valadon began an affair with the painter André Utter, a 23-year-old friend of her son. He became a model for her and appears as Adam in Adam et Eve, which was painted that year. She divorced Moussis in 1913.
Valadon then married Utter in 1914. Utter managed her career as well as that of her son. Valadon and Utter regularly exhibited work together until the couple divorced in 1934, when Valadon was almost seventy. They continued a relationship until her death, nonetheless, and are buried together in the Saint Ouen cemetery in Paris.
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