Anthony Frederick Augustus Sandys (1829-1904) usually known as Frederick Sandys, was a British painter, illustrator and draughtsman, associated with the Pre-Raphaelites. He was also associated with the Norwich School of painters.
Sandys displayed great skills as a draughtsman, achieving recognition with his print The Nightmare (1857), parodying John Everett Millais's Sir Isumbras at the Ford. The caricaturist turned the horse of Sir Isumbras into a laughing donkey labelled "J. R., Oxon.", understood as a reference to John Ruskin. Upon the donkey was seated Millais himself, in the character of the knight, with Rossetti and Holman Hunt replacing the two children, one before and one behind. The caricature, produced using the new autographic lithographic process, caused a lot of talk about who the artist might be and ultimately introduced Sandys to the London art community.
Rossetti and Sandys became close friends, and from May 1866 to July 1867, Sandys lived with Rossetti at 16, Cheyne Walk, Chelsea. Sandys's works were profoundly influenced by those of Rossetti. He focused mainly on mythological subjects and portraits.
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